:D It's that easy!? :D In this case you assume that my examples were correct? I did this visually (guess-timating) so maybe what...
One of the topics that seem to be important to Jack is "bar overlap". I searched and found a graphic that he and Neoxx did some time ago....
While working on "overlap" I went back to this thread because I remembered that Jack already started to mention it here (or something similar)....
Well... are you sure? You mean that the next bars after stich 7 in Jack's graphic can ONLY move up and stich 8 only down? I just looked to...
Just when I thought that I had corrected my mistake I suddenly see something which looks like a stich AND it has increasing volume on the second...
Thank you for "forcing" me to review my findings. When I changed the chart settings again to where I suddenly saw a diversion from the rule I...
Looking at some charts I can see this: 1. Stiches seem to always have the second bar with DECREASING volume. Shouldn't have opened my mouth......
Not necessarily "better" but if you use the first version together with the "3x5 card" version then you should be better able to follow the whole...
A little bit further in the thread he posted new flow charts and new MADA instructions. They are a little bit more detailed.
Hi Jack, I have a question about the trades that start at the F node. Please see enclosed.... Thanks
I'm not in front of the flow chart at the moment therefore just quickly my understanding... If you see the instructions above it wail say to go...
P.S. I see that "seesaw" doesn't mean what I wanted to say. Just remove the "see" and only use "saw". :)
I would be glad if you are right and I misunderstood this. I will try to describe my "pass-fail-pass-fail" note: 1. Bar opens 2. Prices goes...
Here is the second part...
Allright.... here is my first attempt at filling a Cycle 1 log. I think the best way to describe this experience is: WTF!!!!!!?????!!!! (a BIG...
Bar 9-End of bar.
Bar 9, back to short...
didn't take the image...
Bar 9, back to doji...
Bar 9, go long.
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